https://www.hancockandkelly.com/projects daily 1.0 2025-07-24 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481666210185-J4XHF867C1WEFBU9RK9V/IMG_5443rev72.jpg Projects PULSE Live performance Material 60 minute performance with shredded white cotton dress, wire coat hanger, and barbed-wire electric fence. On the island of Herdla, site of a World War II Nazi military base, Richard Hancock and Traci Kelly begin walking at opposite ends of the island’s perimeter fence. A metal coat-hanger bandaged to Richard Hancock’s hand is looped around the electrified barbed-wire, making each step along the uneven pathway a tentative navigation between currents. As Traci Kelly proceeds along her trajectory, cutting strips from her clothing, she wraps the exposed barbed-wire in the white cotton shreds. Performed Between Sea & Sky III, Herdla, NO (2011) Photo credit: Nisa Ojalvo https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481666010660-OFTELH7JGAHP3DOO8WGP/IMG_6478rev72.jpg Projects I_LAND Live performance Material 60 minute performance with shredded white cotton dress strips tied into connecting blindfolds. Without vision and open to the elements, Traci Kelly and Richard Hancock hold each other to account. Small movements and adjustments threaten them with a watery demise. A lifeline threads between, challenging the notion of distinct bodies. I_land is a site responsive duet, taking place across water. Hancock and Kelly respond to the impulses of the connecting rope and environment, paying attention to their own position in order to safeguard the other. Performed Between Sea & Sky III, Herdla, NO (2011) Photo credits: Nisa Ojalvo https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481666671225-ULPWKFU20JX8W6KJFMJR/AR_Migration05.jpg Projects MIGRATION Sculptural installation Material Sculpture with x2 leather Chesterfield sofas, and pearl-headed dressmaking pins. In the context of the Excess exhibition, on artists subversive use of pattern, Richard Hancock and Traci Kelly presented a sculptural work. Migration traces a flock of traditional tattoo emblems of swallows, drawn in dressmaking pins, from the skin of one aged leather sofa to another. Alongside this work, they also presented In the Parlour, a live performance, during which Traci Kelly was tattooed with the pattern of the flock wallpaper in Richard Hancock‘s childhood home in Chesterfield. Exhibited Angel Row Gallery, Nottingham, UK (2006) Photo credits: Andy Keate   https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1482358129563-7M62SZT59HU1IFJDGWQB/IMG_5317.jpg Projects MEDUSAE Performance for camera Material Performance for camera with translucent plastic sheets. Concept: Richard Hancock & Traci Kelly Performance: Richard Hancock & Traci Kelly (movement), Nisa Ojalvo (photography) Medusae is an improvised duet for camera, performed in a constant state of ‘becoming’. Fluidly operating in a space of ‘inbetween-ness’, it is a series of movements traced by the camera lens; articulated as neither the live action itself, nor the photographic document which traces it. Medusae exists between sea and sky, between body and site, between subject and material. Performed Between Sea & Sky III, Herdla, NO (2011) Photo credits: Nisa Ojalvo   https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481667709990-2EXLU9I7839S3C082OG3/IMG_3470-Edit.jpg Projects AFTER ICONOGRAPHIA Video Installation Material 60 min 3 channel video (looped). From 2006-2010 hancock & kelly performed Iconographia – a durational performance during which Traci Kelly sealed together the entwined bodies of Richard Hancock and a slaughtered pig with gold leaf. The work was a shimmering meditation on ritual, spectacle, value, and loss. As the final live performance ended as part of IBT10 in Bristol, the work transferred to screen. After Iconographia adds another layer to the work – a further shimmering skin, that both reinforces and transcends the bodies contained within. Exhibited Visiting Times, Panke, Berlin, DE (2012) InBetween Time 10, Bristol, UK (2010) Photo credits: Jamie Woodley https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481818631277-S2ZDKDBNOO8KZX5QYCRJ/a6traci.jpg Projects THE MIRROR POOL (from LONE DUETS) Live performance Material 1-4 hour participatory performance with red wine. The Mirror Pool is an intimate transference rippling in the hands of the audience. It is a place of ‘becoming’ without destination. As polished surfaces seep and reflect and the grotto overspills, the act of exchange becomes a warm and unstable encounter. It is a slippery place at the boundaries of skin, and a commitment to placelessness that is not quite sealed with a kiss. Between 2005 and 2008, Richard Hancock and Traci Kelly developed Lone Duets – a game of ‘performance chess’, a viral investigation into the form and nature of collaboration. Employing contamination and infection as dramaturgical devices, Hancock and Kelly cultivated a series of 6 solo performances, each made in response to the work of the other, each grappling for the space between. The resulting works are a series of visceral, intimate, and queer events, both moving and spectacular: Richard Hancock Dermographia (2005), Traci Kelly In Season (2006), Richard Hancock Postures A-to-M (2006), Traci Kelly The Mirror Pool (2007), Richard Hancock Open Wound (2007), Traci Kelly Rupture (2008). Lone Duets was presented for the first time in its entirety as part of a New Moves International commission for the National Review of Live Art (UK), in 2009. Performed National Review of Live Art, Glasgow, UK (2009) The Bonnington Gallery, Nottingham, UK (2007) Photo credits: Sian Stammers https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481819625392-G5JW0BEQYYAOSABBSV9V/01_08_05rupture.JPG Projects RUPTURE (from LONE DUETS) Live performance Material 20 minute performance with anatomical heart drawing, rainbow-coloured maggots, scalpel, and suspended platform. The opening of the body and the colon of a conversation… Rupture is a meditation through the surface and a heartfelt desire to spill all. It is neither a visceral wasteland nor a redemptive act. It is a superficial scratching and a longed-for incursion, a cleaving of layers, the confluence of inner and outer worlds in a pellicular bleeding. With mouth and anus tightly closed the heart is breached and open. the wound and the promise of healing, Rupture is the parting of skin and the skip of a beat that posits representation as a questionable border. Between 2005 and 2008, Richard Hancock and Traci Kelly developed Lone Duets – a game of ‘performance chess’, a viral investigation into the form and nature of collaboration. Employing contamination and infection as dramaturgical devices, Hancock and Kelly cultivated a series of 6 solo performances, each made in response to the work of the other, each grappling for the space between. The resulting works are a series of visceral, intimate, and queer events, both moving and spectacular: Richard Hancock Dermographia (2005), Traci Kelly In Season (2006), Richard Hancock Postures A-to-M (2006), Traci Kelly The Mirror Pool (2007), Richard Hancock Open Wound (2007), Traci Kelly Rupture (2008). Lone Duets was presented for the first time in its entirety as part of a New Moves International commission for the National Review of Live Art (UK), in 2009. Performed National Review of Live Art, Glasgow, UK (2009) Bob Kayley Theatre, Reading, UK (2008) Photo credits: Lisa Urwin https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1483029316244-4UDA7PJ1TXA8KJTYQG8C/Hancock-71.jpg Projects https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1505253236918-A0AIUYV3KI2KUEOYITPX/21427196_10154742587906034_2101382718628166757_o.jpg Projects https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1505254010993-I4YTIUHQLVMK3AORK3ZN/21586907_10154744716076034_1098206668639369407_o.jpg Projects https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1505293937764-3F44485GFVPIAH5EINX8/21543927_10154747111281034_1364268467842189356_o.jpg Projects https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1507743451258-I7AJMEKJ1LBOEO79TBLU/1.jpg Projects https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1507917129543-BFRFZP1ELQHN0PR54OKW/DSC08775.jpg Projects UNION (Part V: Pathology of Dust) | Collaboration with Paul Samuel White Performance-for-Camera, and accompanying short texts Material Online media comprised of five performance-for-camera images, and accompanying short texts. UNION explores ideas of physical and emotional labour, collaboration, and value. The project consists of five parts – encompassing print, live performance, and online media. The central materials of the work are the bodies of the artists, and coal. As a material, coal has been used – literally and figuratively – to both build and destroy systems of power and wealth, communities and bodies. Coal is bound with contradictions. As a carbon entity, it can be ignited to generate heat and electrical power – sustaining and enriching life – while simultaneously contributing to the irrevocable chaos of climate change. It is alchemical – transforming through heat into gold – it has been mined and used to line the pockets of industrialists and governments, while becoming an emblem of working class failure. Thriving towns and physical communities have been constructed around the industries which mined and processed coal, only to be left decimated by their collapse. Bodies, built and fed on mining, slowly asphyxiate on its wages of dust. Drawing on these ideas and concerns, and their own family histories as coal miners and industrial workers, Richard Hancock and Traci Kelly undertake a labour of images – a series of physical and emotional tasks mined from a poetic exploration of the body and a cellular reaction to all that burns. Part V: Pathology of Dust is a series of images made by Richard Hancock and Traci Kelly in collaboration with the photographer, Paul Samuel White. The actions were performed solely for camera after the live performance of Part III: A Labour of Images, in the space directly above the performance location . Capturing hancock & kelly still marked by the work, they are attached by the throats with remnants from the performance. Their two bodies mirror a pair of lungs, straining for air, as they struggle to take one another's weight across the space. The images are accompanied by short quasi-scientific/poetic texts, meditating on the pieces that precede it in the series. Exhibited Online at hancockandkelly.com, as part of a commission for WAKE Festival, ]performance s p a c e [, UK (2017) Photo credits: Paul Samuel White https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1559935649973-IXSL30MEUAX9RYO6AULS/00_11.jpg Projects https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481225568389-XFL3UJFBF0L3HS2BSY3W/_MG_8568.jpg Projects DERMOGRAPHIA (from LONE DUETS) Live performance Material 2-4 hour durational performance with pig carcass, aluminium structure, and fluorescent lights. Exploring skin as a site of inscription and performative value, Dermographia juxtaposes the static body of the dancer with the carcass of a pig. The two bodies, representing the sacred and the profane, remain locked in an embrace between the living and the dead. As time passes, binary distinctions erode and the still life gives way to a trembling momento mori. Between 2005 and 2008, Richard Hancock and Traci Kelly developed Lone Duets – a game of ‘performance chess’, a viral investigation into the form and nature of collaboration. Employing contamination and infection as dramaturgical devices, Hancock and Kelly cultivated a series of 6 solo performances, each made in response to the work of the other, each grappling for the space between. The resulting works are a series of visceral, intimate, and queer events, both moving and spectacular: Richard Hancock Dermographia (2005), Traci Kelly In Season (2006), Richard Hancock Postures A-to-M (2006), Traci Kelly The Mirror Pool (2007), Richard Hancock Open Wound (2007), Traci Kelly Rupture (2008). Lone Duets was presented for the first time in its entirety as part of a New Moves International commission for the National Review of Live Art (UK), in 2009. Performed Künstlerhaus Mousonturm, Frankfurt, DE (2009) National Review of Live Art, Glasgow, UK (2009) Tramway, Glasgow, UK (2007) The Powerhouse, Nottingham, UK (2005) Photo credits: Luke Warda https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481228004040-UIQHSDRG2P620HKFRZMG/_MG_8845.JPG Projects POSTURES A-TO-M (from LONE DUETS) Live performance Material 4 hour durational performance with latex pig mask, apple core, bandage, red fluorescent strip lights, vaseline, and white plinth with electric light bulbs. A solo choreographed between 13 positions from ass-to-mouth. Postures A-to-M builds on the performative conversation between Richard Hancock and Traci Kelly that constitutes their series Lone Duets. Postures A-to-M embraces carnality, embodies the inner pig, and performs the queer body at a state of exhaustion. Played out as a tired spectacle, against the backdrop of a culture in which the queer body is fetishised as always already wounded, Richard Hancock stages a sick fantasy one more time… Both exhausted and exhausting, what remains to be seen is a drained choreography, and a finale that will never come. Between 2005 and 2008, Richard Hancock and Traci Kelly developed Lone Duets – a game of ‘performance chess’, a viral investigation into the form and nature of collaboration. Employing contamination and infection as dramaturgical devices, Hancock and Kelly cultivated a series of 6 solo performances, each made in response to the work of the other, each grappling for the space between. The resulting works are a series of visceral, intimate, and queer events, both moving and spectacular: Richard Hancock Dermographia (2005), Traci Kelly In Season (2006), Richard Hancock Postures A-to-M (2006), Traci Kelly The Mirror Pool (2007), Richard Hancock Open Wound (2007), Traci Kelly Rupture (2008). Lone Duets was presented for the first time in its entirety as part of a New Moves International commission for the National Review of Live Art (UK), in 2009. Performed Künstlerhaus Mousonturm, Frankfurt, DE (2009) National Review of Live Art, Glasgow, UK (2009) greenroom, Manchester, UK (2006) Photo credits: Luke Warda https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481817665737-VX0I4WOOW82OWWSVYAHX/01_10_03in+season_richard_hancock.jpg Projects IN SEASON (from LONE DUETS) Live performance Material 2-4 hour participatory performance with pig carcass, red wine, olive oil, salt, meat tenderiser, and fluorescent lights. There is a space between bodies, between flesh and meat, between the kitchen and the altar. Drawing close, surfaces meet, collapsing distance and defying borders. In Season interrogates the territory between the naked and the dressed, the surface and its erosion, as soiled hands work their stains upon rawness, abrading and soothing as they go. In this ritual between skins, fluid and granular membranes spread and spill, relationships are forged, dissolved and revisited through a process of perpetual preparation. Between 2005 and 2008, Richard Hancock and Traci Kelly developed Lone Duets – a game of ‘performance chess’, a viral investigation into the form and nature of collaboration. Employing contamination and infection as dramaturgical devices, Hancock and Kelly cultivated a series of 6 solo performances, each made in response to the work of the other, each grappling for the space between. The resulting works are a series of visceral, intimate, and queer events, both moving and spectacular: Richard Hancock Dermographia (2005), Traci Kelly In Season (2006), Richard Hancock Postures A-to-M (2006), Traci Kelly The Mirror Pool (2007), Richard Hancock Open Wound (2007), Traci Kelly Rupture (2008). Lone Duets was presented for the first time in its entirety as part of a New Moves International commission for the National Review of Live Art (UK), in 2009. Performed Künstlerhaus Mousonturm, Frankfurt, DE (2009) EPAF, Warsaw, PL (2009) National Review of Live Art, Glasgow, UK (2009) The Powerhouse, Nottingham, UK (2006) Photo credits: Richard Hancock, Marco Pustianaz https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1481664647819-YOJ6RU2P1YDDOH54N96U/34.jpg Projects I FEEL YOUR WEIGHT AND MY… Workshop and live performance Materials Workshop culminating in 1-2 hour performance with blindfolds, and gaffer tape. Concept & Choreography: Richard Hancock & Traci Kelly Performance (DE): Angelina Gardner, Richard Hancock, Traci Kelly, Litsa Kiousi, Àfrica Martinez Alissa Romanow, Felix Ruckert, Jutta Schulzki, Esther-Maria Ufer, Allison Wyper, and Wayne Yung Performance (UK): Hannah Cripps, Sorrell Dickson, Briony Featon, Holly Frier, Naseem Manavi, Cat Palfreyman, Kaz Riley, Laura Shead, Mark Soley, Jessica Spencer, Fiona Stevenson, Ryan Taggart, Tina Tay, and Ayas Uddin In a space between binaries… between body and mind… between self and other… between holding on and letting go… I am unable to watch and unwilling to look away… between inside and out… between then and now… between sucking in and breathing out… I bare witness. The collaborative practice of hancock & kelly is built on a long-term engagement with the body as a shifting set of cultural and material circumstances. The body is considered as a site on which a fluid and unstable set of power relations are set into play. Building on a series of exercises developed by hancock & kelly, and drawing on those of other practitioners and the discipline of Authentic Movement, I Feel Your Weight and My… is a workshop is designed to test the physical, conceptual, and emotional limits of the body. Participants are encouraged to experience the breaking points of their own physicality while tracing the edges of their colleagues’ own collapse. The workshop focuses on sensory engagements at the point of failure. Specific attention is paid to the logging of that experience, and to the role of the body as witness and eventual testament. How is the body, and its performance, framed by the witness and their testimony? How does language and testimony serve to locate and orient the body? How are our bodies oriented, and where do those trajectories take us? The workshop culminates in a public performance inspired by the process. Performed Schwelle7, Berlin, DE (2009) De Montfort University, Leicester, UK (2009) Photo credits: Mathew Lewis Video credit: Liz Rosenfeld https://www.hancockandkelly.com/blog daily 0.75 2023-03-03 https://www.hancockandkelly.com/blog/2023/3/3/hancock-amp-kelly-archive-at-de-montfort-university monthly 0.5 2023-03-03 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/52d720d0-f23f-4488-860e-400e10f58855/hancockandkellyarchive.jpg News - HANCOCK & KELLY ARCHIVE at DE MONTFORT UNIVERSITY - Make it stand out hancock & kelly An Extraordinary Rendition (2019). Photo credit: Rachel Parry. https://www.hancockandkelly.com/blog/2021/6/9/documentation-from-union-part-iv-the-gilded-cage monthly 0.5 2021-06-09 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1623250607835-V2HDYHOQTRPDNE02PO5X/21686948_10154747110966034_504912929828423926_o.jpg News - UNION ( Part IV: The Gilded Cage) DOCUMENTATION - Make it stand out Photo credit: Paul Samuel White, for ]performance s p a c e [ https://www.hancockandkelly.com/blog/2019/3/20/notes-from-performing-the-archive-at-6018-north monthly 0.5 2021-06-09 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1553039262704-WITX1FMJVNWZQDEJMA6I/HK_6018_promo_1.jpg News - NOTES FROM PERFORMING THE ARCHIVE AT 6018 NORTH https://www.hancockandkelly.com/blog/2019/1/30/ingttime-festival-2019 monthly 0.5 2019-01-30 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1548864262033-QIKRZOUGIJ5SR9G5ARKO/intime.png News - IN>TIME FESTIVAL 2019 https://www.hancockandkelly.com/blog/2018/7/4/artists-in-the-archive monthly 0.5 2018-07-04 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1530729393019-RN7PSHMBPXSSQD4ZYLDN/artists_in_the_archive_cover.jpg News - ARTISTS IN THE ARCHIVE https://www.hancockandkelly.com/blog/2018/7/3/states-of-wake-dedicating-performance monthly 0.5 2018-07-03 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1530629226340-5XE1FNE4S1VFTMRIU3UY/states-of-wake.jpg News - (STATES OF) WAKE: DEDICATING PERFORMANCE Photo credit: Bean https://www.hancockandkelly.com/blog/2017/10/16/launch-of-union-part-v-pathology-of-dust monthly 0.5 2017-10-16 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1508169573367-ER855REF73M0908RXZA9/DSC08775.jpg News - LAUNCH of UNION (PART V: PATHOLOGY OF DUST) from hancock & kelly and Paul Samuel White UNION (Part V: Pathology of Dust), 2017 https://www.hancockandkelly.com/blog/2017/8/26/union-parts-i-v-at-wake-festival-folkestone-uk-sep-8910-2017 monthly 0.5 2017-08-26 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1503780690816-UJLYW6HBZCKYUWYDODHB/hancockandkelly_union_promo.jpg News - UNION (Parts I-V) at WAKE Festival, Folkestone (UK), Sep 8/9/10 (2017) https://www.hancockandkelly.com/blog/2017/6/11/arts-council-england-funded-residency-at-backlit monthly 0.5 2017-06-12 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1497207956271-KR3G5Q1H73ZKHNE1AQ7D/image-asset.jpeg News - ARTS COUNCIL ENGLAND funded residency at BACKLIT Photo credit: Nisa Ojalvo https://www.hancockandkelly.com/blog/2017/5/10/union-parts-i-v-at-wake-festival-uk monthly 0.5 2017-05-10 https://www.hancockandkelly.com/blog/2017/1/11/launch-of-new-hancock-kelly-website monthly 0.5 2017-01-11 https://www.hancockandkelly.com/blog/tag/performance monthly 0.5 https://www.hancockandkelly.com/blog/tag/richardhancock monthly 0.5 https://www.hancockandkelly.com/blog/tag/performanceart monthly 0.5 https://www.hancockandkelly.com/blog/tag/liveart monthly 0.5 https://www.hancockandkelly.com/blog/tag/tracikelly monthly 0.5 https://www.hancockandkelly.com/blog/tag/UNION monthly 0.5 https://www.hancockandkelly.com/blog/tag/performancespace monthly 0.5 https://www.hancockandkelly.com/blog/tag/hancockandkelly monthly 0.5 https://www.hancockandkelly.com/about daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1482361950956-XN8TRMGJHOSJKQ0X5SW2/image-asset.jpeg About Traci Kelly and Richard Hancock, Herdla, NO (2011) Photo credit: Nisa Ojalvo https://www.hancockandkelly.com/pagecv daily 0.75 2022-02-07 https://www.hancockandkelly.com/teaching daily 0.75 2017-01-25 https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1484249070188-9IH9GFOXE9SM3J1H5MJP/witness_3.jpg Teaching The Body As Witness workshop at Brooksby Melton College of Performing Arts, Leicester, UK (2009) Photo credits: Mathew Lewis https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1485339188337-TYYQ0IHN68N2DTOTU8IH/image-asset.jpeg Teaching Photo credits: Traci Kelly, Richard Hancock https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1484247138835-R26ZXOA204Y1391IS3CI/viral-bodies-3.jpg Teaching Viral Bodies workshop at Schwelle7, Berlin, DE (2008) Photo credits: Lisa Urwin https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1484252419517-P9WDX7OZL4D0SJMEPE18/critical-path-4.jpeg Teaching https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1484248920192-YEC0QWORY1M2JJQMN4E8/viral-bodies-1.jpg Teaching https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1484248368586-O3R2FUNGGUQFN0ALGTJI/viral-bodies-1.jpg Teaching https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1484248990098-7TVA1KRO3PJPM92RGT1A/image-asset.jpeg Teaching https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1485341375523-DU1YPCKG9DBMMB15FNZG/image-asset.jpeg Teaching Photo credits: Traci Kelly https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1485341234192-STVB8K8NFN3VCABI9UXE/image-asset.jpeg Teaching https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1484246889687-G3MIG7ZISRTRXOQWP0NC/viral-bodies-2.jpg Teaching https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1484252580203-6PXL9I7T2F72B26K9B8Y/critical-path-3.jpeg Teaching The Body And Memory research residency at Critical Path, Sydney, AUS (2007) Video still credits: Richard Hancock & Traci Kelly https://images.squarespace-cdn.com/content/v1/5849b11ce6f2e19b8f979c05/1485339000028-K4LDIRLOUMGS7ZE036NV/image-asset.jpeg Teaching https://www.hancockandkelly.com/store daily 0.75 2024-05-01